This future standard has the “best hook in history,” writes Powers. Just as we’re still twisting away nearly a half-century after our grandparents danced to Chubby Checker, don’t be surprised if you one day see your great-granddaughter doing the “ Ugh! Get This Deer Tick off My Leg!” “Hotline Bling” would join a proud tradition of “ novelty” hits that have proved to be more enduring than their contemporaries ever predicted, and it’s only more fitting that it will keep another strangely enduring novelty-ish hit-Timmy Thomas’ “ Why Can’t We Live Together,” the bossa-nova rock on which it was built-ringing in listeners’ ears for generations. As Hamilton writes, “its weirdly specific invocation of technology”-“You used to call me on my cellphone …”-“just seems like something that will cause it to cheekily persist” as a kind of goofy relic of its time. But in the years since, its zeitgeisty particulars have started to make it feel, paradoxically, more everlasting. When “Hotline Bling” dad-danced into our lives in 2015 and became Aubrey Graham’s biggest hit to date, the single seemed perfectly engineered to be a flash in the pan, its rise on the charts fueled as much by GIFs and Vines as by the actual music. Rembert Browne explains his reasoning for making this selection most succinctly: “Because Earth is a wasteland.” 2, behind only “The Twist.” In other words, this record has spent so much time in heavy rotation on our radios and in our CD players that we seem to be stuck with it, and even our panelists nominated it begrudgingly.
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1, and in the publication’s 2018 reassessment, it still came in at No. After all, in Billboard’s 2002 ranking of the biggest hits of the rock era, “Smooth” placed No. If we can offer any consolation, it’s that this Grammy winner didn’t place even higher.
ROBYN DANCING ON MY OWN DOWNLOAD SERIES
Out of all of the songs of the 1999 Latin pop explosion and all the hits that have come since, from the insuppressible “ Hips Don’t Lie” to Daddy Yankee’s global smash “ Gasolina” to last summer’s record-setting “ Despacito,” how could it be that the only Latino hit on this list is sung by the dude from Matchbox Twenty? Don’t blame Latinos, as Isabelia Herrera notes elsewhere in this series in her examination of the future of today’s Latino pop.